Great sacred masterpieces in the capital's monumental basilicas, from Holy Week to Pentecost
Founded in 1998 by director and set designer Enrico Castiglione, the Easter Festival is now one of Italy's longest-running and most recognizable sacred music events. Its formula has remained unchanged for nearly thirty years: bringing absolute masterpieces of the sacred repertoire into the basilicas and monumental churches of Rome, transforming every concert into an encounter between architecture, liturgy, and masterful musical interpretation.
The program accompanies the city throughout the Easter season, from the eve of Holy Week to Pentecost Sunday: a span of nearly two months where music marks the spiritual milestones of the Christian calendar, from the solemnity of the Triduum to the light of the Resurrection.
The choice of venues is an integral part of the artistic project. The Festival moves through some of the most fascinating churches in the capital, often away from the main tourist paths:
The programming is not limited to the strictly liturgical repertoire. Alongside Gregorian chant and Renaissance polyphony—with the Motets of Giovanni Pierluigi da Palestrina traditionally performed during the Easter Triduum—there is space for the great requiem masses of Mozart and Verdi, Pergolesi’s Stabat Mater, the Baroque pages of Vivaldi and Handel, the romanticism of Massenet and Rossini, and even 20th-century composers like Nino Rota and Leonard Bernstein.
A special chapter is dedicated to the organ: for years, the Festival has been carrying out the complete performance of the organ music of Johann Sebastian Bach, a multi-year project that utilizes the historic instruments housed in Roman churches.
The Festival features its own Easter Festival Orchestra and collaborates regularly with local choirs and scholae cantorum, including the Coro Ruggero Giovannelli, the Harmonia Vocalis ensemble, and the Cantoria Nova Romana. Over the years, Italian and international conductors have taken the podium, while solo parts are entrusted to internationally acclaimed singers.
One of the most appreciated aspects of the festival is that it is free of charge: all concerts are open to the public without a ticket. Since the capacity of the churches is limited—in some cases only a few hundred seats—it is advisable to arrive well in advance or check the official website for any booking requirements. The main concerts are also streamed online to reach audiences who cannot be present in Rome.
Attending a Verdi Requiem under the vaults of Santa Maria sopra Minerva, or listening to Bach on a historic organ in a downtown church, is an experience that goes beyond a simple concert. The Easter Festival is one of the best opportunities to experience the spiritual and artistic side of Rome away from museum queues, during a time of year when the city is particularly vibrant. The event is held under the patronage of, among others, the Pontifical Commission for the Cultural Heritage of the Church, the Ministry of Culture, Rome Capital, and the Lazio Region.
The twenty-ninth consecutive year for the Easter Festival, which in 2026 extended its calendar over nearly two months, from March 28 to May 24. The main theme of the edition was the 800th anniversary of the death of Saint Francis of Assisi, highlighted in several events of the program.
As per tradition, all concerts were held with free admission in the monumental churches and basilicas of Rome, with the main events streamed online. Alongside the great symphonic-choral titles, the Festival continued its multi-year project of performing the complete organ music of Johann Sebastian Bach and the custom of Palestrina's Motets during the Easter Triduum.
Throughout the edition, organ concerts dedicated to the complete Bach cycle and Palestrina's Motets during the Easter Triduum were added, along with works by Vivaldi, Handel, Rossini, Massenet, Nino Rota, and Leonard Bernstein.
The concert venues are all located in the historic center of Rome and are accessible on foot or by public transport. From Roma Termini and Roma Tiburtina stations, take metro lines A and B; Trastevere (Basilica of San Crisogono) is served by tram 8 and the Roma Trastevere station. The Pantheon and San Marcello al Corso are in a pedestrian area: it is recommended to leave your car in park-and-ride lots and continue by metro.
Free admission to all concerts. Seating is limited by the capacity of the churches: it is recommended to arrive at least 30-40 minutes before the start and check the official website to see if reservations are required for specific concerts.
Most concerts begin at 8:00 PM. Appropriate attire is required inside the churches, and silence must be maintained during performances. Spring evenings can be cool in historic buildings: it is best to bring a light jacket.
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Basilica di San Crisogono e altre basiliche monumentali di Roma
Piazza Sidney Sonnino 44, 00153 Roma