Art, sound, and rural technocultures in the Caudine Valley
Liminaria is an international festival of art, sound, and rural technocultures established in 2014 as a curatorial platform dedicated to the marginalized territories of Southern Italy. The project, conceived and curated by critic and curator Leandro Pisano, connects international artists and researchers with the landscapes of the Campanian Apennines, transforming villages, trails, and abandoned spaces into genuine hubs of contemporary cultural production. It is not a one-off summer event, but a long-term endeavor built alongside the communities that inhabit these valleys.
The municipality of San Martino Valle Caudina, in the province of Avellino, is now the center of gravity for Liminaria. Here you will find the Ducal Palace and the Caudine Center for the Contemporary, the spaces that host meetings, installations, concerts, and screenings, alongside the former Italian Left Section. However, the festival does not remain confined to a single village: it crosses the Caudine Valley and the Sannio region, also reaching Cervinara, San Marco dei Cavoti, and Cautano, in a cultural geography that unites the provinces of Avellino and Benevento in the heart of Campania.
The current cycle is titled Hauntologica and is dedicated to the presences that inhabit rural territories across space and time. The trace, the residue, the abandoned infrastructure, the recorded voice of those who are no longer here: everything that seems to have disappeared continues to work on the landscape and shape it. Through sound, media, and technocultures, Liminaria attempts to make this stratification audible, reading the rural not as a lagging periphery, but as a critical stance on the present.
The festival is structured as a layered program that alternates between work sessions and public moments:
The final weekend concentrates the most spectacular part of the program: audiovisual performances, electroacoustic live sets, and DJ sets that continue late into the night in the gardens and halls of the Ducal Palace. Alongside the concerts, there are installations, documentary film screenings, and editorial presentations in a deliberately multidisciplinary format. The atmosphere is intimate, far removed from large festivals with thousands of people: you listen, discuss, and have a drink with the artists, often just a few meters away.
The festival is promoted by the Interzona Cultural Association APS, based in San Martino Valle Caudina, the same organization that has been conducting research on sound, electronic arts, and rurality in Campania since 2003. Curatorship is entrusted to Leandro Pisano with Martina Macchia and Tommaso Nudo. Over the years, the project has built a network of institutional and academic partners including the Donnaregina Foundation/MADRE Museum of Naples, the University of Salerno, the Master in Environmental Humanities at Roma Tre University, the Partenio Regional Park, and ARCI Benevento.
Liminaria is arguably the most interesting way to discover the Caudine Valley outside of classic tourist circuits. Those who arrive here find a festival that does not merely bring international artists to the province, but uses contemporary art to tell the story of Irpinia and Sannio from the inside: the springs, the streams, the wind turbines, the depopulating villages, and the communities that resist. An experience recommended for those who love sound art, documentaries, and places that reveal themselves slowly.
The 2026 edition of Liminaria was spread over five days, from Tuesday, July 21 to Saturday, July 25, following the festival's now-established formula: a first part distributed across the territory, consisting of micro-residencies and evening events in the various municipalities, and a final weekend concentrated in San Martino Valle Caudina, among the gardens and halls of the Ducal Palace, the Caudine Center for the Contemporary, and the former Italian Left Section.
The title Hauntologica guided the entire program: an investigation into the presences that continue to inhabit rural territories, the traces that return, and what remains unfinished in the contemporary ecologies of the Campanian Apennines. Around this thread, visual arts, sound research, documentary cinema, radio, and critical reflection were intertwined.
The program involved artists and scholars from Italy, Japan, Australia, and Sweden, curated by Leandro Pisano together with Martina Macchia and Tommaso Nudo, and supported by a network of partners including the Donnaregina Foundation/MADRE Museum, the University of Salerno, the Master in Environmental Humanities at Roma Tre, the Partenio Regional Park, and ARCI Benevento.
By car: San Martino Valle Caudina is located along the SS7 Appia state road, which connects Naples to Benevento crossing the Caudine Valley; from the A16 Naples-Canosa motorway, the most convenient exit is Avellino Ovest. By train: the town is served by the EAV Naples-Benevento railway line via the Caudine Valley, with a stop at San Martino Valle Caudina. By plane: the reference airport is Naples Capodichino, just over an hour's drive away.
The main events are held at the Ducal Palace, the Caudine Center for the Contemporary, and the Town Hall Council Chamber, all in the center of San Martino Valle Caudina and within walking distance. Some days move to Cervinara, San Marco dei Cavoti, and Cautano: for these trips, a car is essential.
Admission to events is free. For workshops and listening sessions, it is advisable to contact the organization in advance.
The evenings take place outdoors: even in the height of summer, the temperature in the Apennines drops significantly after sunset, so it is best to bring a sweater. For soundwalks, light hiking shoes and a water bottle are needed.
Interzona Cultural Association APS, Via Frattasi 20, 83018 San Martino Valle Caudina (AV) — [email protected]
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Palazzo Ducale e Centro Caudino del Contemporaneo