The new dramaturgy festival connecting Quarticciolo and Tor Pignattara, in Rome's 5th Municipality
CondiVisa - Theatres in Motion along the Aqueduct is a project of creative exchange and sharing between two artistic hubs in Rome's 5th Municipality: the Teatro Biblioteca Quarticciolo, a public space within the Teatri in Comune network of Rome Capital, and Fortezza Est, an independent theatre in Tor Pignattara. The name itself reflects the core concept: two venues that "share" (con-dividono) their audience, artists, and languages along the axis of the aqueduct that crosses this eastern sector of the Capital, in the Metropolitan City of Rome, Lazio.
The festival is not a showcase for big names, but a living space for experimentation designed to give voice to young companies and original scripts. Each evening is accompanied by an artist talk, allowing the local audience to engage with the creative process rather than just watching from the sidelines.
The Teatro Biblioteca Quarticciolo, artistically directed by Antonino Pirillo and Giorgio Andriani, has long been one of the most solid cultural pillars of the Roman suburbs: a theatre hall and municipal library under one roof, located in a 1940s social housing district that has used culture as a concrete lever for social transformation. Fortezza Est, for its part, brings its own dedication to new dramaturgy and research into contemporary languages.
This encounter results in a program that alternates between satire, reinterpretations of the repertoire, narrative theatre, and collective works, with a constant focus on current themes: precarious work, gender identity, the relationship with social media, and urban loneliness.
The festival debuted in the autumn of 2022 with four evenings dedicated to contemporary languages, and returned in 2023 between September and October with titles such as «Mi manca Van Gogh» by Francesca Astrei, «Tutte le persone vive» by Rosalinda Conti, and «F.O.M.O. (Fear of Missing Out)» by Francesca Lombardo. In 2026, CondiVisa returned in the spring, moving to May and effectively closing the theatre season with four titles plus a final event at the end of the month.
Those looking for the most institutional Roman theatre will find grand productions elsewhere; however, those who want to understand where the Capital's contemporary scene is truly moving should hop on a tram or bus and reach Quarticciolo. Tickets are affordable, the venue is intimate, and the opportunity to speak with the authors at the end of the evening is an integral part of the experience. It is also a chance to discover a neighbourhood that has become one of the most interesting social and cultural laboratories in East Rome in recent years.
Quarticciolo is located between Via Prenestina and Viale Palmiro Togliatti, just minutes from the Parco degli Acquedotti and the historic suburbs celebrated in 20th-century cinema and literature. An evening at CondiVisa can easily be combined with a walk among the rationalist porticoes of the district or a gastronomic stop in nearby Tor Pignattara and Centocelle, now among the most multicultural areas of the city.
In 2026, CondiVisa changed its calendar placement, moving from autumn to spring and becoming the event that accompanies the conclusion of the Teatro Biblioteca Quarticciolo season. Four consecutive evenings, from Thursday to Sunday, featured works by emerging companies and authors selected in collaboration with Fortezza Est.
The central theme of the edition was the relationship between stage writing and daily life: satire on the world of information, a pop reinterpretation of an operatic classic, a tragicomic tale of precarious employment, and a collective work on identity and female desire. Each performance was followed by a discussion with the artists, according to the festival's well-established formula.
«Ho rapito Paolo Mieli» — written and performed by Diego Frisina, directed by Diego Frisina and Mario Pizzuti. A one-man show blending political satire and comedy.
«Le nozze di Figaro» — a «pop» version of the Mozart masterpiece by the I Tre Barba collective, an irreverent re-reading in the key of a jealousy drama.
«Bandiera bianca» — written and performed by Alessandra De Luca, directed by Anđelka Vulić. A tragicomic reflection on the world of work and life in Rome.
«Venire meno» — by the Collettivo Oltre Marea, a rebellious and ironic script built on real testimonies and breaking the fourth wall. Followed by a public meeting moderated by Andrea Pocosgnich.
«Laguna Cafè» by Giuseppe Affinito, directed by Benedetto Sicca: the show that closed the theatre season, with a public meeting on Sunday, May 24, conducted by Viviana Raciti.
Teatro Biblioteca Quarticciolo, Via Ostuni 8, 00171 Rome (5th Municipality), between Via Prenestina and Viale Palmiro Togliatti.
Online presale on Vivaticket (search for «Teatro Biblioteca Quarticciolo») and at the theatre box office. Information and reservations: phone +39 06 69426222, e-mail [email protected].
The hall is small: it is advisable to book a few days in advance, especially for weekend performances. Artist talks are held immediately after the show, so it is best not to be in a hurry to leave.
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Teatro Biblioteca Quarticciolo
Via Ostuni 8, 00171 Roma